Viewing The Rise Of Fashion Designers From The Perspective Of Stereotactic Cutting

In the various links of the apparel industry chain, when the position and value of the pre curtain hero is increasingly recognized by the society, the designer behind the scenes has been gradually concerned.

In the interview, a voice spoke of the current Chinese clothing industry.

In order to meet the development needs of the industry, in April 2010, the China Fashion Designers Association Training Center launched a series of highly targeted high-end professional training courses, such as the high-end research courses, which mainly aim at the needs of the enterprise's chief editor's job and the added value of the research and development version.

In July, in response to the changing trend of men's wear edition, the designers association also invited Japanese menswear design expert Iguchi Xizhen to lecture on advanced design training courses. In addition, it also invited the French ESMOD experts to lecture on the three-dimensional cutting course in view of the demand for improving the modeling design ability of the Enterprise Edition division.

These professional training projects based on the development of garment industry and the needs of brand enterprises have played a strong role in promoting the design and technology upgrading of Chinese garment enterprises in the field of clothing version technology and original design of brand clothing product development.

So what is the role of the fashion designers in Chinese clothing enterprises? What is the difference between the Chinese print masters and the domestic and foreign editions? How are their living conditions? Why does the stereoscopic cutting rise? What is the advantage of the stereotactic cutting? What bottlenecks are the print masters facing with the fashion seeking more and more "fast food"? In the near future, what role should they play in this role?